Repairing couture excess

2019-hana-yagi-fashion
technical description

Maxi ivory and white tone wedding dress ensemble composed of a deconstructed and embossed cotton tulle and satin sleeveless blouse, an ivory and champagne gold tulle, a cotton and wool maxi full patchwork skirt with plastic detailing and a black and white tulle, organza and plastic ruffled full skirt petticoat.

Size 1700x1400x1400mm, 6000 gr., 2019

concept

Broken and repaired

Born into a family of traditional roof repair craftsmen, reusing and repairing come as second nature to Hana Yagi. A collection that speaks about her past as well as her Japanese roots, with outfits made from everyday materials such as paper, clay and old fabrics. Applying “Urushi” on garments, the traditional Japanese finishing technique that solidifies materials adding a mystical gloss on the surface, with hints of Kintsugi, the Japanese art of repairing broken pottery by using Urushi and gold dust. The collection portfolio arrived with handcrafted dolls wearing scaled down prototypes of outfits.

Year
2019
Class
Fashion
Techniques
Deconstructing, Kintsugi Japanese Repairing Technique, Patchwork
Colors
Black, Brown, Cream, Gold, Grey, Ivory, White, Yellow
Materials
Canvas, Cotton, Cotton Drill, Cotton Thread, Felt, Leather, Metal, Organza, Plastic, Satin, Tulle, Wood, Wool
Conceptual Indexes
Japanese Culture, Japanese Tradition, Kintsugi, Mending & Repairing, Sustainability
Historical Summary

ITS Contest Application year: 2019
Application area: Fashion
Collection shortlisted as a Finalist